Palm trees silhouetted against a dusk sky over the ocean
Anglerfish sculpture with a glass lure bulb on a flared ceramic base
Wave-glaze tea set — teapot and two cups — on a bluff above the surf
Sculptural teapot on three branch legs with an arching branch handle and blue-white glaze

Ceramic art inspired by the mountains, oceans, and deserts of life.

Love, Earth, Healing, Sharing

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About

Third-generation potter, sixth-generation Montanan

Matt Briney is the son of master ceramic artists Tom and Marcie Briney and grandnephew of sculptor, painter, potter and educator Mike Moran. His whole life has been shaped by ceramic art.

Matt learned in a hands-on manner from some amazingly skilled artists across multiple mediums, and their influence shows in his work. Working in his parents' pottery shop as a teenager was the beginning of that education — but being a potter was not something he had ever entertained, and his life took a different path for a while. Still playing with mud and color, his medium of choice became concrete, and he worked on high-end residential and commercial projects across the Pacific Northwest, Rocky Mountains and Southwestern desert. Concrete and clay are very different, but the design concepts, color theory and work ethic he learned from his parents translated well.

In 2009 Matt returned to the family business and began to embrace the idea of being a potter in a family of artists. A high-volume shop with only two potters meant tens of thousands of pots in a wide variety of shapes, sizes and styles — mixing clay, throwing, making glazes, and firing the gas kiln for the cone 10 reduction colors the studio was known for. By 2017 the family was going through 15 tons of clay a year, selling at fine art shows and shipping to gift shops and galleries across the country, most of it in and around Glacier and Yellowstone.

In June 2017 Matt's family was involved in a deck collapse that left his wife with spinal cord and traumatic brain injuries. Her healing journey brought them to San Diego with their three children in 2020, and gave Matt the unexpected opportunity to become a member of the San Diego Potters' Guild.

He found used equipment, set up a studio at the house, and began chasing colors that mimic cone 10 gas reduction glazes while firing electric to cone 6. Working in porcelain and stoneware, he combines wheel throwing and hand building to make decorative and functional pieces that invite interaction, evoke emotion, and hold the possibility of motion in their stillness.

Get in touch
Matt throwing a pot at a night market under string lights
HUSBAND AND FATHER THIRD-GENERATION POTTER San Diego Potters' Guild

Film

Three generations at the wheel

A visit to the family pottery in Montana with Matt and his parents, Tom and Marcie Briney.

Mountain Brook Studio, Montana

Watch on YouTube
Commissioned tea set — sculpted branch handles, blue and red crystalline glaze, on a live-edge table yours, your way

Commissions

Custom work, start to kiln

Available for custom commissions — from one-of-a-kind functional pieces to larger fine art installations. If you have a vision, reach out and let's talk about what's possible.

Commissions typically have a 6–10 week lead time depending on complexity and kiln schedule.

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Process

Daydreaming to Reality

Matt throwing a pot at an outdoor night market

01

Forming

Each piece begins on the wheel or by hand. The form is coaxed out of raw clay — an intuitive process shaped by touch as much as intention.

Finished platter with feathered blue and violet glaze Raw glaze laid into a mandala pattern on a platter Unfired platter with thick petal glaze in rose and celadon

02

Glazing

Glazes are brushed, dipped and poured in layers. Each one reacts differently in the heat — surfaces that can never be fully predicted.

Electric kiln glowing red through its seams mid-firing

03

Firing

Cone 6, electric. The final firing turns raw glaze into glass — temperature, atmosphere and timing decide the rest. Opening the kiln is always a surprise.

Contact

Let's talk clay

For questions about available work, commissions, or anything else — reach out directly. Response within 48 hours, usually with clay still on my hands.

Instagram

@mattbrineystudio

Studio

San Diego, California

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Available work

Every piece is one of a kind — what you see is the only one there will ever be. Prices on request; use Inquire to ask about a piece or place an order.

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Email mattbrineystudio@gmail.com with the subject {{ item.title }} and Matt will get back to you about availability and pricing.

Don't see what you're looking for?

Commissions are open. Describe what you have in mind and Matt will let you know what's possible.

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